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CINECAM26KMFT Blackmagic Design Cinema Camera MFT
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CINECAM26KMFT High definition video recordersBlackmagic Design
CINECAM26KMFT information and overview
Blackmagic Design Cinema Camera MFT (No lens) © Respective owners and brand holders. © 2026 ComXpert International CC. The contents has been generated by ComXpert International CC (//www.comx-computers.co.za). All products are sourced locally in South Africa and the warranty is that of the local supplier only. E&OE.
Not for sale. This is a discontinued product.
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Subject to correction, the product was first added on 2014-10-27 and the last date we have for this product is 2015-01-10, where the last unit was sold for R 26335, which may have been a final clearance price.
Specifications & more information about CINECAM26KMFT, High definition video recorders manufactured by Blackmagic Design
Specifications available as a download
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Overview: Get an even wider range of lens compatibility with the Blackmagic Cinema Camera MFT with Passive Micro Four Thirds (MFT) mount! Perfect for MFT lenses or even adapters to other lens mounts such as PL. You get the same beautiful design that features a machined aluminum chassis, interchangeable optics using Passive Micro Four Thirds (MFT) lens mount for manually operated lenses and adapters, high resolution 2.5K sensor, 13 stops of dynamic range and 12-bit RAW uncompressed and compressed ProRes and DNxHD file formats! Includes sun shield, power supply, carry strap, UltraScope waveform monitoring software and a full version of DaVinci Resolve Software for Mac OS X and Windows. Features: The professional digital film cameras you can hold in your hand! Introducing the world’s smallest digital film cameras with an incredibly strong design. Blackmagic Cinema Cameras feature wide dynamic range for shooting true digital film combined with precision PL, EF and MFT mount optics and high quality RAW and ProRes file recording. The built in touchscreen lets you monitor, change settings, display audio and exposure metering and enter metadata directly on the camera! You can choose from models with two different types of cinematic image sensors and three different types of lens mounts such as PL, EF or MFT, depending on your needs. Only digital film cameras give you amazing cinematic images The reason the latest and most amazing television commercials, music videos and feature films look so good is because they’ve been shot with a digital film camera and then color corrected using DaVinci Resolve. Video cameras, even high end broadcast video cameras, always just look like sharper home movies because they’re limited to a regular video sensor. Blackmagic Cinema Cameras are true wide dynamic range digital film cameras designed to shoot with cinematic quality. Imagine adding the style and quality of digital film to your latest TV commercial, feature film, music video or even documentary, weddings or corporate videos! Get richer colors and a more creative depth of field If you need higher resolution, global shutter and a more creative depth of field then the Blackmagic Production Camera 4K models feature a large Super 35 size sensor and professional PL or EF lens mounts, so is the perfect choice. You get incredible Ultra HD images with 12 stops of dynamic range for feature film quality shooting. The minimal crop factor lets you shoot with super wide angle lenses so you get images that are big and beautiful, plus have the dynamic range to capture highlight and shadow details far beyond that of any traditional video camera. No other camera gives you more choice in lenses You can choose between models with PL, EF or MFT lens mounts so you can use the world’s best and most technically sophisticated lenses. The PL models allow you to use, or even rent, professional cinema lenses from companies such as Panavision™, ARRI™ or Zeiss™. You can even use vintage PL cinema lenses when you’re shooting period work where you want to recreate the look of that time by using the actual lens they used back in those days! The EF models let you use high resolution Canon™ photographic lenses for amazing quality, while the passive MFT model allows super small lenses and the flexibility to adapt to other lens mounts. Working with wide dynamic range is creatively addictive! Video cameras clip highlights and shadows giving you images that look like video. Some cameras use multiple exposures or “HDR mode” to simulate wide dynamic range but that doesn’t work well with motion video where you have movement. Blackmagic Cinema Cameras shoot each frame with wide dynamic range so you get brighter highlights without clipping and rich detail and shadows. The ultra wide dynamic range 2.5K sensor has so much range that you can even shoot indoors with correct exposure and still get full detail through windows outside! This is the secret that allows feature film imagery when color grading with DaVinci Resolve. A true digital film camera, shrunk down to a handheld size The Blackmagic Cinema Cameras have been precision engineered from machined metal and miniaturized using the latest advanced electronics to deliver a rugged digital film camera that has the strength to be rigged even when supporting a heavy PL mount lens. Unlike most cameras that use plastic, the machined metal design of the Blackmagic Cinema Cameras can be hand held, rigged on cranes, used on Steadycam™ and more. The super small design still includes an SSD recorder capable of recording RAW, touchscreen LCD, internal active cooling for the cinematic sensor and standard SDI, audio and Thunderbolt™ connections. Get the resolution to allow reframing your shots With the choice of two high resolution sensors, at 2.5K ultra wide dynamic range or 4K wide dynamic range, you get enough resolution to reframe shots, eliminate bayer loss for full resolution color and to shoot in native Ultra HD. With the latest incredibly large screen TV’s available to consumers the demand for Ultra HD content has never been greater. The Blackmagic Production Camera 4K model is the perfect choice for Ultra HD production and you can shoot native RAW to get every single bit of data direct from the sensor or you can shoot in ProRes for high quality video files that are as easy to use as HD files. That means you can shoot in Ultra HD with the same workflow as HD. Touchscreen allows metadata entry direct on the camera! The built in high resolution 5” LCD touchscreen can be used for entering metadata directly into the camera by simply typing on the soft keyboard, so it’s as easy to use as any smartphone. Shot number can automatically increment, so you don’t have to enter it for each shot! Entering metadata directly into the camera means every time you record the shot information is recorded into the media file so editing software such as DaVinci Resolve 11 or Final Cut Pro X can quickly identify and locate the shot you need when you are in post production saving editing time and eliminating manual logging. Move shots from camera to edit instantly! Most professional digital film cameras use proprietary media only available from the manufacturer which increases the cost of using the camera. The Blackmagic Cinema Cameras eliminate this “usage tax” by using off the shelf computer solid state disks, or SSDs, so you can buy high performance storage media at much lower cost as well as getting higher speeds and capacity by taking advantage of the latest generation SSDs the moment they are available. SSDs can be mounted on your Mac or Windows machine using adapter cables or a Blackmagic MultiDock and because the speeds are so high you can edit directly off the SSD without time wasting file copying. Edit and color correct without converting files! Blackmagic Cinema Cameras record directly to files that are compatible with all major post applications. That means there’s no time wasted converting files before you start editing and color correction in post production. Blackmagic Cinema Cameras record ProRes so are very easy to use and even high resolution 4K ProRes files will play back from laptop computers. When recording RAW, files are still open format and use the open standard CinemaDNG RAW format so you get all the data off the sensor stored in a file that’s compatible with many software applications as well as the included DaVinci Resolve editing and color correction software. Never get caught out on-set without a custom cable! When you’re on-set the last thing you need is to hold up dozens of very expensive people while you look around for a custom camera cable! The Blackmagic Cinema Cameras use standard connectors so you can simply use regular video, audio and power cables plus you save money because you don’t need to purchase custom accessories. You get 3G-SDI or 6G-SDI on the Blackmagic Production Camera 4K model for monitoring, ¼” mic/line audio inputs and a Thunderbolt™ connection for live streaming from the camera and scopes when using the included UltraScope software. When you want external camera and lens control a LANC port is included. Use Your Favorite Software The files you record on Blackmagic Cinema Cameras are compatible with virtually every video software tool available on every computer platform available. Simply plug the SSD into your computer and drop the files straight into the software you want to use. Now you can use powerful editing, color correction, visual effects, audio post production tools such as DaVinci Resolve, Final Cut Pro X, Avid Media Composer, Adobe Premiere Pro CC, ProTools, Nuke, Fusion and many more! DaVinci Resolve 11 Included! Every Blackmagic Cinema Camera includes a full copy of DaVinci Resolve 11 so you can immediately begin editing and color grading the RAW files without purchasing any additional software. That means you get a complete solution for managing and backing up your media, editing, color correction and authoring final video and film master files for distribution. The full copy of DaVinci Resolve included with the camera includes support for multi user timelines, temporal noise reduction, 3D tools and much more. Specifications: | ©2026 Respective owners and brand holders. This table has been carefully researched and generated by ComXpert International CC (//www.comx-computers.co.za), however, errors and omissions may occur. Only references to South Africa apply. All products are sourced in South Africa from the official suppliers and the warranty is that of the local supplier. E&OE. This table and our site's content may be used on condition that this notice and link remains intact and unaltered. | Specifications | | Product Code | CINECAM26KMFT | | Camera Features | | Effective Sensor Resolution | 2400 x 1350 | | Effective Sensor Size | 15.81mm x 8.88mm | | Raw Resolution | 12-bit RAW files recorded at | | 2400 x 1350 | | Shooting Resolutions | 2.5K RAW at 2400 x 1350. ProRes and DNxHD at 1920 x 1080 | | Frame Rates | 23.98p, 24p, 25p, 29.97p, 30p. | | Dynamic Range | 13 stops. | | Focus | Focus button turns on peaking. | | Iris Control | Compatible with any manually operated iris based lens. | | Lens Mount | Passive Micro Four Thirds mount for manually operated lens with manual iris control. Compatible with most third party MFT adapters for other lens mounts such as PL etc. | | Screen Dimensions | 5" and 800 x 480 resolution. | | Screen Type | Integrated LCD capacitive touchscreen. | | Metadata Support | Automatic camera data and user data such as shot number, filenames and keywords. | | Controls | Onscreen touch menus and physical buttons for recording and transport control. | | Microphone | Integrated mono microphone. | | Speaker | Integrated mono speaker. | | Mounting Options | 3 x 1/4"-20 UNC thread mounting points on top of camera. | | 1 x 1/4"-20 UNC thread tripod mount with locator pin. | | Power | Integrated Lithium-ion Polymer rechargeable battery. | | 12V-30V DC port for external battery power or use included 12V AC adapter. | | Battery Life | Approximately 90 minutes | | Battery Charge Time | Approximately 2 hours when not in use. | | Storage Features | | Storage Type | Removable 2.5” SSD. | | Storage Format | Mac OS Extended or exFAT format. SSDs can be formatted on any Mac or use Mediafour MacDrive (not included) on a Windows PC. | | Storage Rates | 5 MB/frame in RAW 2.5K fits about 30 minutes of 24p video on a 256 GB solid state disk. Compressed HD formats fit more than 5 times the amount of RAW video. | | Recording Formats | Uncompressed 2.5K CinemaDNG RAW with film dynamic range at 2400x1350. Apple ProRes 422 (HQ), ProRes 422, ProRes 422 (LT), ProRes 422 (Proxy) and Avid DNxHD. All compressed recording in 1920x1080 10-bit YUV with choice of Film or Video Dynamic Range | | Connections | | SDI Video Output | 1 x 10-bit HD-SDI 4:2:2 with choice of Film or Video Dynamic Range. When recording is set to 25p or 29.97p with SDI Overlays switched off, the SDI output format is 1080i50 and 1080i59.94 respectively. | | Analog Audio Input | 2 x 1/4” jacks for professional balanced analog audio, switchable between mic and line levels. | | Analog Audio Output | 1 x 3.5mm stereo headphone output. | | SDI Audio Output | 2 channels in HD-SDI. | | Remote Control | 1 x 2.5mm LANC for Record Start and Stop. | | Computer Interface | Thunderbolt port for waveform monitoring and capture of 1080 HD video. USB 2.0 Mini-B port for software updates and configuration. | | External Power | 12V-30V DC port for external battery power or use included 12V AC adapter. | | Standards | | SDI Compliance | SMPTE 292M. | | SDI Audio Sampling | 48 kHz and 24 bit. | | Operating Systems | | Compatibility | Mac OS X 10.9 Mavericks | | Mac OS X 10.10 Yosemite or later. | | Windows 7 or Windows 8. | | Extras | | Software Included | DaVinci Resolve grading software including Resolve USB dongle for Mac OS X and Windows. | | Media Express software for video capture from the camera’s Thunderbolt port. | | Blackmagic UltraScope software for waveform monitoring from the camera’s Thunderbolt port. | | Accessories | Detachable sun shield, camera strap, turret dust cap and 12V AC adapter. | | Environmental Specifications | | Operating Temperature | 0° to 40° C (32° to 104° F) | | Storage Temperature | -20° to 45° C (-4° to 113° F) | | Relative Humidity | 0% to 90% non-condensing |

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